And the crowd went wild... A few weeks ago I mentioned that I was
playing guitar in a charity gig for the Cure Autism Now Foundation. Well, the
gig was this past Saturday night at Hogue Barmichaels down in Newport Beach.
Officially called
Metal
Jam 2004, it featured a semi-organized jam session involving musicians
in the metal tribute scene and fans/acquaintances/interlopers. While there
wasn't a category for "musicologists," I nonetheless felt welcome. A great
night which raised a bit over $2000 (triple the amount raised at last year's
inaugural Metal Jam).
I signed up to play on KISS' "Detroit Rock
City," a song I've been playing for years, and Megadeth's "Holy Wars," a song
which I knew very well but had never learned. "Holy Wars" is a classic example
of late-80s thrash metal, featuring a lengthy and fairly involved modular
structure, and is really fast to boot. I signed up to play it primarily because
the drummer and bass player in Creeping Death (the Metallica tribute band) were
also signed up to play, and I thought it would be really fun to jam with those
excellent musicians. So, I signed up for Guitar 2(R), meaning the rhythm
guitarist who kind of hangs out in the corner and holds down the rhythm parts
under the flashy and virtuosic soloist/lead guitarist. I got right to work
working up the rhythm guitar parts to an excellent level of proficiency.
However, soon my guitar partner on "Holy Wars" (Mr. Guitar 1(L)) mentioned on
the Metal Jam discussion board that he would be "attempting" the Dave Mustaine
solo. Mustaine's solo is the longest of the three solos on that song, but I
took that announcement to imply that I now had to learn the two shorter solos.
Ok, except they're played by Marty Friedman, one of those hyper-virtuoso metal
guitarists from the 80s and 90s. Yikes! Keep in mind that I rarely play
anything soloistic -- never bothered to work up any technique. Yikes,
indeed.
Ok, so I look at the first solo, determined to give it my
best effort. Yikes. Sweeping picking for the first two measures of the solo!
Sweep picking is perhaps
the virtuosic metal solo technique, and one
which I'd never even thought about attempting. It's basically a way to play
arpeggios up and down the neck really really really fast like. When people
describe metal solos as "weedlie weedlie weedlie" they're basically talking
about sweep picking. Ok, type "sweep picking technique" into Google and take
a
quick lesson. Then, spend the next two weeks practicing the opening
two measures of the first solo. I was also working on the second Friedman solo
at the same time, though that one is slightly easier since it's got a more
"broken up" character. Soon after embarking on this regimen of practice,
practice, practice the fingertips of my left hand began to go through the
tedious callous-building process. Usually there'll be a blister for a couple of
days before the skin hardens. However, because of the sweep picking and string
bends I was practicing the callous process took longer -- I was using my fingers
in ways they'd never been used and I was shredding layers of skin like
crazy.
Anyway, skip to Saturday, 4/3, and the unofficial rehearsal
party for the jam participants. Here was one of the big moments I'd been
practicing for. Well, it turned out that Mr Guitar 1 (L) wouldn't be playing
the Mustaine solo. He tells me "I'm really a drummer and I've always loved
'Holy Wars,' but I realized there's no way I'd be able to learn the Mustaine
solo." Um... Ooookay... So I've spent the last three weeks literally
transfiguring my fingers in order to make sure I was as prepared as you and now
you're casually unprepared? "So, what are we going to do about the Mustaine
solo," I ask? No real answer. Because the rehearsal was fairly unofficial it
went very slowly and we didn't get to "Holy Wars" until about 11:45. By that
time Mr. Guitar 1 (L) had actually gone home! Fortunately, one of the
guitarists in
Hangar 18
(the Megadeth tribute band, who play "Holy Wars" and get paid for it) was still
around. So Michael came up and played. However, in Hangar 18 he plays the
Friedman solos, not the Mustaine solo! I told him not to worry about it and
just play something shred-like during the Mustaine solo because I wanted to run
through the Friedman solos with a live band. We were pretty good for five guys
who'd never played together, but I was really disappointed that Mr. Guitar 1 (L)
had flaked (he's a really nice guy though). Driving home I figured, well, I
guess I better work up the Mustaine solo as best I could so that we don't look
lame at the show.
I actually took about three days off from
practicing to let my fingers heal a bit before getting ready for the show. I
got the bad news about the LMU job at that time, so was really bummed and not in
the mood to play. The Mustaine solo, as it turns out, isn't hard. It's
basically "play really fast figuration and scales in E for 32 measures."
There's none of the harmonic and melodic nuance heard in the Friedman solos --
it's really a very different aesthetic. And in any event, I figured if I just
got the overall contour down, and hit some of the high points (like the
chromatic climb and high bend at the end) that'd be good enough.
So,
enter Saturday, 4/10. The big day and the culmination of weeks of frenzied
practice. I decided to change my guitar strings to avoid the breaking the high
E during the show (that would be bad!). But, oh no! My guitar is on its last
legs and the important frets have oxidized to the point where all the bends I'd
been doing for weeks had actually shaved them down to point where they wouldn't
actually make any sound when I did the bend! I spent two hours fiddling with
the action (the height of the string above the neck) and even called Guitar
Center and Sam Ash to see if they had a 24-fret guitar in stock. I figured in a
pinch I'd just go buy a $200 guitar and return it the next day. Unfortunately,
Guitar Center never called me back and Sam Ash was out of stock! Hmm. Wait,
there'll be a million guitarists at the jam, and surely at least one of them
will have a 24-fret guitar, and they're cool people, so they'll surely let me
use their axe for "Holy Wars." Yea, James from
Creeping Death will
probably bring his 24-fret Kirk Hammett super duper special, and wouldn't it be
great to play on that $2000 guitar? Sure enough, James happily loaned me his
guitar!
So the performance at the jam went great. I ended up playing
EVERYTHING: all the solos, all the little lead fills, the fast cadenza that
links the two halves of the song, as well as the rhythm guitar riffs.
Ironically, Mr Guitar 1 (L) and I had unofficially switched roles. I played
reasonably well during the solos but it's almost impossible to sound truly bad
when you're playing a $2000 guitar! The singer even gestured toward me a couple
of times during the song in a props-giving way, compliments which I gladly
accepted. Even the guys in Hangar 18 complimented me on the job I'd done.
Basically, it was the first time I'd earned any sort of recognition on stage.
Nice feeling, certainly!
With the huge weight of Marty Friedman and
Dave Mustaine off my shoulders, "Detroit Rock City" was simply a blast. We
followed a particularly unfortunate performance of a Dokken song (they got lost,
their guitars were out of tune, etc.) and once we got plugged in we just looked
at each other and started with all the confidence you could imagine. It was
great!
In the end, it was an awesome experience. I felt rewarded for
all the effort I'd put into it and was elated that I no longer had to think
about "Holy Wars" for a while. And, it was also a huge pick-me-up given the LMU
result. Can't wait until next year!
Listen to "
Holy
Wars " (6 MB QT) -- I learned and played every guitar note you
hear
Listen to "
Detroit
Rock City " (3 MB QT) -- I started off the lead guitar
section